In this article, I want to focus on how the Season 2 premiere focused on introducing the show’s key mythology, how this led to a darker tone, yet kept the warmth that was at the core of the show. I think it gave it a deeper sense of mystery beyond the obvious.
#Youtube twin peaks season two soundtrack series#
That planted the show’s roots a little deeper in the ground and that was part of what we were presenting: life is not just a series of events that happen to you, it’s also on another level a mythological experience, during which you are constantly receiving messages from or making contact with your subconscious. I wanted to inject a level and layer of metaphysical material and David was all for it. This was certainly deliberate, at least on Mark Frost’s part: If the first season brought us the characters and the sense of time and place, Season 2 really brought in the elements that would be crucial to the development of the show’s mythology. But it would not be the pain and trauma of The Secret Diary that it would reflect but rather the esoteric and occult preoccupations of its co-creator, Mark Frost. The Season 2 premiere was a further step forward in the process of darkening and enriching the world of Twin Peaks. The book was unflinching in its portrayal of Laura, and while its dark, pained tone might have seemed at odds with the nature of that first season, in time it would be clear that the diary had enriched and deepened this world we had fallen in love with, as would Fire Walk With Me and The Return.
15, made it painfully, challengingly, and bravely clear that for all the quirkiness and coffee and doughnuts and fish in percolators, there was real abuse and real trauma at the core of the show. The publication of The Secret Diary of Laura Palmer by David’s daughter, Jennifer Lynch, on Sept. We were not in Kansas anymore, Toto-there’s a giant here. 30, 1990, just over four months after the first season concluded, Twin Peaks returned with Episode 8, the opening episode of Season 2, another 90-minute edition directed by David Lynch and scripted by Mark Frost, and yet it was clear right from the start that the cozy surrealism of that initial run had been infected with a strain of darkness, much like the insects that fester beneath the grass in Blue Velvet.
Join us every day from January 30 to February 28, as we look at every episode of Seasons 1 & 2 for Twin Peaks Month. And once we heard Chromatics play in that smoky bar, it finally felt real.“Twin Peaks Episode 8: May the Giant (and the Major) Be With Us All” is also available in audio-visual format on the 25YL YouTube channel. The faces on the show might have a few more lines and the hair a little grayer, but Twin Peaks as both a show and an idea has endured. The band perfectly captures the ethereal Lynchian mood, and in the context of this episode, sounds perfectly stuck in time. If any band can carry the legacy of Twin Peaks's influential sound, it's Chromatics. The group, who contributed music to the show, plays "Shadow" in the episode's closing scene, where Shelly and James from the original cast are still hanging out. Sunday's first episode once again brought us back to the Bang Bang Bar, where, this time, Chromatics is the house band. In the most pivotal moments of the original Twin Peaks, Lynch would bring us back to the Bang Bang Bar, where Julee Cruise and the house band would play blue-eyed dream pop.
#Youtube twin peaks season two soundtrack plus#
We caught up with classic characters like the Log Lady and Lucy, plus a few appearances by the likes of Ashley Judd and Jennifer Jason Leigh.īut while the new episode was mostly a slow, slow build (with thankfully little catchup), the final scene made it worth the wait. And we saw good Agent Cooper trapped in the Red Room with the backwards-talking Laura Palmer. We saw evil Agent Cooper with his white trash wig.
The two-hour premiere of the third season of Twin Peaks on Showtime was David Lynch at some of his weirdest. After 25 years of waiting, we returned to the misty woods of Twin Peaks tonight.